For heaven sake, the same story could have been based in 2016 BC Bombay and no one would care. The typical, good vs evil angle is done to death and that is exactly what happens in Mohenjo Daro. Script wise this is a highly formulaic film with even a DDLJ element of ‘Palat’ in the love story. Coming up with a script for a period drama that has little historic material can be certainly difficult and one would definitely understand that the makers would require creative liberties for this one.Īlthough in case of this film, the creative liberties are way beyond one would expect. Hrithik roshan and Pooja Hegde in a still from Mohenjo Daro Mohenjo Daro Review: Script AnalysisĮver since Mohenjo Daro has been announced, there has been ample of excitement surrounding it. Will Sarman take on Mooja and Maham to win his love? Also, what connection does he have to Mohenjo Daro is what lies ahead. She is the priest’s daughter and considered to be a blessing for the town but is promised in marriage to Moonja. What changes his mind is, a love at first sight scenario with Chaani (Pooja Hegde). He takes off for the town and seems to have a strange familiarity with the place.Īfter experiencing the ill-treatment given to peasants by Maham (Kabir Bedi) and his son Moonja (Arunoday Singh), Sarman decides to leave the town. After hearing big things about the town where they trade their goods, Sarman convinces his uncle to send him to Mohenjo Daro for trade. Sarman (Hrithik Roshan) is an Indigo peasant living with his uncle and aunt in Aamli village.
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